A New Year Beckons

Over a year since I updated the blog so I thought I'd write a short piece concerning the past year and the new year ahead. 

2018

Last year was not an easy one for a number of reasons, but I managed to release four novels - Treasure of Babylon (Avalon Adventures 2) in March, both Plagues of the Seven Angels (Cairo Sloane 1) and The King's Tomb (Joe Hawke 10) in July (after a couple of months in the UK) and Land of the Gods (Joe Hawke 11) in December. 

2019

This year kicked off with the release of The Fifth Grave (A DCI Jacob Mystery), a fast-paced crime-mystery thriller centred on some folklore concerning the murder of four Danish sisters accused of witchcraft in Wiltshire in 1737. When another body is found almost 300 years later in the same woods during Christmas 2018, DCI Jacob starts a new hunt for the truth.

I wrote my first crime story (albeit with supernatural undertones) when I was eight or nine, and I've been a steadfast admirer of the genre all my life. It's not the first crime novel I've written (or even published) but it was nice to get back into the genre all the same. I have an arc of ten planned out very roughly, and the first three in greater detail. The second and third of these Sanctuary and The Devil's Den are both scheduled for 2019 and with luck (and lots of hard work) I can hopefully deliver them. If The Fifth Grave isn't your cup of tea but you know someone who might like it, please share it with them!

I have two or three other crime series ideas, including a PhD toting criminal psychologist (who knows Sophie in the DCI Jacob books). The general idea here is to have a sort of psychological cat and mouse manhunt between the protagonist and a lethal killer but set in various exotic locales, fusing the escapism of the adventure novels with the crime of the detective thrillers. Only one of these is sketched out and I'm sorry to say it's a question of finding the time, but I am very excited about this series if I can make it work. 

Another idea I mentioned one year ago in this blog is that concerning a character I have called Blake. Unlike all of my other series, both adventure thrillers and mystery thrillers, Blake works alone and not in a team. For me, this represents an important departure in story-writing and I'm excited about it, but when I can find the time to write it is another thing (Blake has already had two false starts). The basic premise is not uncommon these days, thanks to the popularity of Jack Reacher and the legion of knock-offs he has produced (then again Reacher himself owes a fair amount to Travis McGee, to be fair), but I think I have enough unique ideas to make it original, and if not then I won't write it. 

Hawke & Co.

I have planned in some detail the Hawke novels all the way up to 20, and they are fully plotted out and ready to go up to 16. I am really excited to get these done and shared with you, as the story has so many ups and downs and laughs and tragedies, but it takes at least two months, usually more like three or four to plot, write, redraft, edit and proofread a novel in a process that sometimes feels glacially slow. Having said that, I'm aiming to get The Orpheus Legacy (Joe Hawke 12), The Inferno of Hell (Joe Hawke 13) and Day of the Dead (Joe Hawke 14) done this year if time allows. 

The Doomsday Covenant (Avalon Adventures 3), The Gods of Death (Cairo Sloane 2) and The Apocalypse Code (The Raiders 2) are also either partly written or lurking on my radar as well, but as above, it's a question of time. 

Reviews

I want to take this opportunity to give a massive and sincere thanks to everyone who has ever left me a review. There are various underhand ways of obtaining reviews, but every single review, good or bad, on any of my novels is 100% honest. 

In leaving a review, you are not only communicating to me your opinion on what was good or bad about the novel, but you are also helping elevate its place on the Amazon Bestseller Rank. The higher a novel goes on the rank, the more new readers see it, and this increases sales, which is why authors are always asking for us to leave reviews. 

If a novel is not reviewed it will drop down the ranks and eventually stop selling, and if that happens an author cannot justify spending so many months on writing another, so it could be the end of the series. Leaving reviews is critically important to the evolution of any series that we enjoy reading and we cannot guarantee the future of any series if the novels don't get reviewed by those who buy and read them. 

I also want to thank each and every one of you who has supported me on social media across the years as well. Writing is a notoriously lonely occupation and it's just fantastic when people email or contact me on Twitter or Facebook, etc. I genuinely appreciate it and thank you for the time you take to do so.

Signing off now, and we're just heading into a week-long heatwave of 40 degrees (104 degrees F in old money) - oh, joy. If I survive it, I'll be getting back into the novels straight away!

Great Movies Revisited - Indiana Jones and the Last Crusade (1989)

I can't say what Christmas TV was like anywhere else in the world, but I can say what it was like in Australia. In fact, it's probably better that I don't say anything about it at all, other than the best thing we watched over the entire Christmas break was Indiana Jones and the Last Crusade from our DVD collection.

As readers of my blog post on the first Indy film will know, I am a massive admirer of this franchise with the obvious exception of the fourth film. I know some have done revisionist reviews of Crystal Skull and written about how it has aged better than expected, but I have not watched the movie since its original release in the cinema back in 2008 so I can't comment on that. I can say that I was not very impressed with it at the time, with my complaints being those made by most people - the CGI, the aliens and so on. I read a review recently which came at it from a new angle and blamed not only these things but also Harrison Ford himself. As I recall, Ford didn't come up too often for a panning at the time of the film's release so it was interesting seeing this new critique in which it was claimed Ford's heart wasn't in the movie and it showed, etc.

I'll leave that to you to decide, but what cannot be debated is the greatness of The Last Crusade. As motion pictures go, this one has it all - excellent pacing, brilliant action sequences, a gripping plot, a great final act and all wrapped up in a first-class script. Despite all this, what really sets the film on fire for me is the interplay between Harrison Ford and his on-screen father Sean Connery. One moment funny, the other poignant, this relationship carried the film effortlessly, and I suspect it's what they were going for in Crystal Skull with Indy and his son, but as with Australian television, the less said about that the better.

Another aspect that makes this film so good for me is Julian Glover's portrayal of Walter Donovan, the man who sets Indy on his way at the start of the movie and turns out to be a traitor working with the Nazis in order to secure the Holy Grail. I was going to give a spoiler alert there, but then I remembered the film is nearly 30 years old so I guess that ship has already sailed. This alongside the two loathsome Nazis, General Vogel (Michael Byrne) and Elsa Schneider (Alison Doody) is the best team of baddies in the franchise so far.

When I think about putting an old film like this on, there's always a brief moment when I think "Nah - I just know it too well" but when a movie like this starts, its magic just draws you in and the next thing you know Indy's riding into the sunset and the credits are rolling. From the brilliant Venice scene, to the Airship, to the fantastic final sequence, this timeless adventure film is an all-time classic that deserves two hours of anyone's time and we can only hope Spielberg draws from this and not Crystal Skull for Indiana Jones #5 which is due on the big screen in 2020.

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Release Schedule Updates & Other Ideas

I’ve had several emails from readers asking about when books from the various series are going to be published, so I thought I’d sketch out a rough release schedule to kick off the brand new year, plus throw in a few other bits and pieces.

Next story up is Treasure of Babylon (Avalon Adventures #2). This will see the crew of the Avalon chasing down one of the most precious and holy objects of all time – the Ark of the Covenant. In their search for this they all get to know each other a little better and confront a new terrible enemy, but they soon realize things are not as they seem.

 

 

Treasure of Babylon (Avalon Adventures #2)

After that, Joe and the rest of the ECHO team return in The King’s Tomb (Joe Hawke #10). This has taken longer than I anticipated because it’s going to be a pivotal novel in the story of Hawke and his friends. With some high-profile deaths and some big shifts in the arc there’s a lot of story, but I also want it to read very fast, so it’s taking some time to put together. On the Hawke series in general it’s worth pointing out that I have a full arc planned out and know pretty much where it’s going, but I am able to veer off course for more standalone stories if a good one comes along.

I would like other novels of 2018 to include The Orpheus Legacy (Joe Hawke #11) and Day of the Dead (Joe Hawke #12). These are working titles that may or may not stick, as is (maybe but unlikely in 2018) Shadow of the Apocalypse (Joe Hawke #13). I’m also keen to release Raiders #2 which is already partially written. The second Harry Bane thriller – The Taranis Conspiracy – is sketched out but I doubt a 2018 release will be possible.

 

 

Typewriter: check. Booze: check. Peace and quiet: Forget about it.

Other “further out” ideas lurking in the basement include a British crime novel which is partially written, but it’s a very old idea of mine pre-dating Hawke. The main man is currently called DCI Jacob, and the story is more of an action-adventure novel in many respects as it’s very fast-paced with lots of chases, etc. Some readers might be disappointed that I have not yet been able to incorporate a helicopter into it… I strongly doubt this will be ready in 2018, and there’s a good chance poor old Jacob will never see the light of day at all.

I'm also trying to breathe life into a favourite character of mine from a few years back by the name of Blake. He is a former military officer who spends his time helping out ordinary folks, a sort of cross between the A-Team and Jack Reacher or thereabouts. I have worked with many senior military officers in the past, including SAS, and I wanted a new universe to use some of this experience, and Blake is that place, but again it's just a matter of finding the time. I have three stories for Blake (brace for more working titles): The Operator, The Brazilian Girl and Jericho Creek. These may or may not emerge over the next couple of years.

More concrete is a surprise for readers of the Hawke series which should be coming along with luck in 2018… ;)  Also, I got a nice Christmas present from my US Publishers this year in the shape of some lovely Audiobook CDs for The Vault of Poseidon. These are narrated by the outstanding Shaun Grindell and I’ll be giving one or two of them away in the near future so keep an eye out for this on my Facebook page if you want a chance to win one.

Follow me on Facebook for a chance to win one of these amazing Audiobook CDs!

Finally, I wanted to thank you, Dear Mystery Reader, for your continuing support and encouragement on this amazing journey we’re taking together. Having published 12 novels in a little over 2 years, it’s fair to say I spend a great deal of time buried in the worlds of my characters, so it’s always great to look up once in a while and see how supportive you are with your comments on social media and especially in your emails (you know who you are). From my heart, sincere thanks for this – it’s why writers write.

So, Dear Mystery Reader, wherever you are – here’s to wishing you a Happy New Year and a healthy and prosperous 2018!

R

2018 (Very Rough) Release Schedule

Treasure of Babylon (Avalon Adventures #2)

The King’s Tomb (Joe Hawke #10)

The Orpheus Legacy (Joe Hawke #11)

Raiders #2

Day of the Dead (Joe Hawke #12)

+ maybe but unlikely: Shadow of the Apocalypse (Joe Hawke #13)

I’m aiming for this but it might end up totally different, plus look out for a few surprises on the way as usual J

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Great Movies Revisited - James Bond #4: Thunderball (1965)

SPECTRE returns in grand style in this movie, with the dastardly plan of stealing a couple of nukes in a bid to hold the world to ransom. Less than 20 years after the atomic bombs were dropped on Japan, such a premise would have held audiences deeply in its thrall.

Following from Goldfinger was a tall order, but as we’re whisked from English health spas to yachts cruising in the Bahamas we’re soon sucked into another Bond classic. As I mentioned in my review of Dr. No, Thunderball was originally going to be the first Bond movie, but producers had to deal with copyright issues so they changed their minds. Would James Bond history be different if Thunderball had been first in 1962?

Known for its lengthy underwater scenes, which many have criticised for being too long, Thunderball offers us plenty of lethal spearguns and underwater battles, not to mention the spectacle of Sean Connery flying a jet pack. This surely pushes the bounds of realism ever so slightly, but I’m all for that and think Daniel Craig in a jet pack might have helped both Skyfall and Spectre, but that’s another story for another day.

After attending a funeral in France, Bond ends up chasing Emilio Largo and his eye-patch around the Bahamas before getting kidnapped, escaping, and then working with US Navy SEALS to bring Largo down. But Largo is having none of it, and makes a break for it on his ship, the Disco Volante. Of course, Bond eventually gets on top and ends the plan to annihilate Miami... and all's well in the end.

Nice co-starring roles from a BSA motorbike and of course the Aston DB5 also add some class and excitement to what is still, even after all these years, a good fun film.

 

My rating: 8/10

 

 

 

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Great Movies Revisited - James Bond #3: Goldfinger (1964)

Now you’re talking. With Goldfinger we finally hit my favourite Connery Bond film – this movie is a lifelong favourite of mine so let’s get stuck in!

When Goldfinger hit the silver screen in 1964 it guaranteed the longevity of the Bond franchise and the success of the two earlier films bled through into the execution of what a serious number of fans regard as the best ever Bond film.

First thing I noticed when I rewatched this recently was how plush it looks on the screen, even after all these years. The 1964 setting brings a style to the picture that shows like Mad Men want to reproduce, but Goldfinger is the real thing, not nostalgia.

 

 

The setpieces are excellent too – the woman sprayed in gold (above), the chase between the Aston and the Mustang in the Swiss mountains’ Furka Pass and who could forget the laser-beam scene: “No, Mr Bond, I expect you to die!” In fact the film has many memorable lines including some great puns, innuendo and one liners – “positively shocking” and “I can’t - something big’s come up,” etc. which are so important to the series. The final act’s assault on Fort Knox is also some fantastic cinema.

The fight action is also good. Somehow fight scenes are more realistic when they just film the actors (or stuntmen) going for it mano a mano – the arrival of the super fast-cuts in movies like Jason Bourne are effective but somehow not real. Not surprising when you realise that people just can’t move that fast.

It’s a testament to the brilliant work of the set designers that much of these Bond films is shot in Pinewood, because the viewer would never really know it and is instead transported all over the world. Still an impressive feature of the Bond films today, back in 1964 before the era of cheap flights and the internet, these films gave people a fantasy-tour of exotic locales they would never normally see. This is especially true during the establishing shots where we see Miami but also later Fort Knox.

The simplicity of the plot (a gold-smuggling tale), the fantastic performances and two of the most memorable Bond villains – Auric Goldfinger and his loyal henchman Oddjob – all mesh together to make this an almost flawless thriller of pure escapism. Throw in a bowler hat with a hidden chakram in the rim that when thrown like a frisbee decapitates its victims and John Barry’s outstanding score and you have a solid-gold winner. Watch it right now and tell me if I’m wrong!

My rating: 9/10

 

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Great Detectives Revisited: #1 Columbo

A good part of any action-adventure thriller is mystery. There is always a mystery at the heart of the story, usually but not always centred on what the villain is up to, and mystery novels have always played a big part in my life, as have some of the many excellent TV adaptations. In fact, one of the first novels I ever wrote was a crime mystery novel, and I have several outlines for crime novels in the vault which I'm hoping to get to at some point, but... only time will tell.

So, on the subject of crime novels/TV shows – and inspired by my James Bond reviews – I thought it might be fun to dust off the magnifying glass and take a closer look at some of the great detectives and their finest cases. I’ll also be swinging by some of the TV adaptations as well.

This list isn’t in any particular order, so I’m not saying Columbo is the #1 greatest, but simply kicking off with him because I just finished watching Troubled Waters (1975) with Robert Vaughn and Dean Stockwell and then followed this up with Robert Culp’s excellent performance in The Most Crucial Game (1972).

And I’ll start with the point that unlike many other TV detectives, Columbo only ever existed on the small screen and never on the page, but he’s no weaker for that and in my mind ranks as one of the greatest TV detectives for many reasons – so let’s get to it.

First – the format. Columbo differs markedly from other TV crime shows in the way it shows the viewer not only who the killer is but also exactly how he or she dispatched the victim. This is a great spin on what was already a tired format by the late 60s and really makes for compulsive viewing as we watch how Columbo will work it all out and snare the villain. Later, crime writers would deal with the tired format problem simply by making their stories increasingly violent and bleak, but that’s another blog post I’m putting together and not for today.

Columbo was back when crimes could still be “cozy” and taken seriously at the same time, and many of his cases dealt with some serious issues. Same goes for Agatha Christie. While we all remember her stories as being about vicars using teapots to murder people on the croquet lawn, many of her books dealt with some pretty racy subjects, especially for back in the days when she was publishing, including drug addiction, smuggling and serial killers.

For me, the charm of Columbo is not just delivered by Peter Falk’s charisma, but by the direction of the episodes, the faded colours of the old film and the lower population of LA – check out the traffic! Last time I had to drive in LA it was seriously hectic, but things were a little different back in 68 when Columbo was pootling around in his delapidated Peugeot 403. This is part of the appeal of these great old films.

And the locations in these films are amazing – great shots of the city from the hills and some amazing modernist properties such as the Stahl House (below) used in the Columbo Pilot Prescription Murder and also the beautiful shots of the pool filmed in Bel Air for The Most Crucial Game when Dean Stockwell gets knocked off with a block of ice.

 

Another element that we have to talk about is the great cast these short films featured – Robert Culp, Patrick McGoohan, Donald Pleasence, Eddie Albert, Jackie Cooper, Ray Milland, Leonard Nimoy, Jack Cassidy, Janet Leigh, Dick Van Dyke, Martin Landau, Robert Vaughn, Johnny Cash... I mean, come on! What crime show today can pull names like these?

It must be said they did drop in quality a little when they returned in the late 80s but even here you can find some gems like Columbo Cries Wolf (1990) and Columbo Goes to the Guillotine (1989). However, if you want the real classics go early, to the first 7 series. You won’t be disappointed and if you like your crime somewhere just north of cozy with an original format and an outstanding cast, then grab some of these Columbos – boxed sets or even on Netflix in some regions.

My favourite episodes? Easy – Murder by the Book, Now You See Him, Negative Reaction, Double Exposure, Any Old Port in a Storm... the list goes on...

Oh – and just more thing... several actors have played Frank Columbo, including Bert Freed (Shane, Hang ‘Em High) and Thomas Mitchell (Gone with the Wind), but the TV series role was originally offered to Bing Crosby who turned it down so he could spend more time on the golf course...

 

 

 

 

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Great Movies Revisited - James Bond #2: From Russia With Love (1963)

As part of my James Bond review series I’m looking at Sean Connery’s second outing today, and From Russia With Love is rightly considered another of the untouchable classics of the franchise. It’s here that the Bond we all know and love really starts to take shape thanks firstly to a more confident Connery but also more action scenes.

From chess championships in Venice to SPECTRE Island to the Basilica Cistern beneath Istanbul (long before Robert Langdon got there) this film doesn’t disappoint and the plot is driven by expertly-drawn baddies Rosa Klebb and Kronsteen as they try and lay their hands on a decoding device while reporting to Blofeld and his famous cat. It is here that chess grandmaster Tov Kronsteen announces to Blofeld that his plan is foolproof and there will be no failure. Oh dear.         

One thing I always end up asking in these movies is – just who the hell would work for a man like Blofeld? This is someone whose idea of offering an employee early retirement is pulling a lever and dropping them into a shark tank/alligator pit, etc. Do staff members not talk in the SPECTRE canteen about all their missing colleagues?

The dialogue in the film is snappy and tight and this movie is in many respects the real springboard for the rest of the series. For this reason, many people rate this as the best Bond, and in some ways that’s hard to argue with, but it depends on what you’re measuring. For me this is at the top, but not the best. In fact I think my favourite Bond film(s) are going to be quite controversial choices...

Something of interest to me in this film is that the Baddies (with a capital B) are not motivated by the usual world-destroying megalomania, but instead desire a simple decoding device, as mentioned above. Giving a villain his motivation is an integral part of stories like this and cranking it down a notch from total world-domination is a brave decision – almost as brave as eating in the SPECTRE canteen.

A gripping fight scene on a moving train leaving Zagreb and Bond being hunted through the mountains by a Hiller UH-12 helicopter, not to mention more great gags and innuendo plus the inimitable Blofeld and his Siamese fighting fish – come on!! This is great stuff and a timeless classic that you should watch tonight!

My rating: 9/10

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Vault of Poseidon Anniversary and Word Cloud

I can hardly believe it, but The Vault of Poseidon was published a year ago this week! I made this word cloud to celebrate the anniversary, and if you like it you can do the same right here http://www.wordclouds.com/

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Great Movies Revisited - Raiders of the Lost Ark (1981)

While we’re on the subject of brilliant movies, let’s talk about one of the greatest of them all – Raiders of the Lost Ark (1981), and see if we can get to the end without asking why no one can make films like this anymore.

This was a formative movie for so many, and captivated people right from the outstanding opening sequence starring Harrison Ford, Alfred Molina and, of course, Paul Freeman and his truly great villain-archaeologist René Belloq. Who could forget the pacing and atmosphere as Indy takes the golden Inca idol but then must flee the Peruvian temple with the now legendary rolling boulder chasing after him? Or the moment the fantastic WACO biplane lifts off out of the water just in time to save the hero from the tribe’s poison darts? This was real adventure fiction – almost a kind of pulp fiction - presented in homage to the classic serial films of the pre-war era and it’s done with real style, much like the excellent original theatrical release poster by Richard Amsel (above).

 

This movie was made when screenwriters still had a sense of humour and knew how to use it. They felt that putting some real laughs into the film didn’t detract from the serious parts of it, and they were right. Slowing a film down and putting some gags in it makes the faster bits faster and the darker bits darker. This is something we see far too little of now, especially in thrillers.

I find it hard to criticise this film, and it’s weird how this movie was made with a nostalgic eye on the movie-making and entertainment of the 1930s, and yet now it’s possible to watch it with a nostalgic eye on the movie-making and entertainment of the 1980s. Raiders perfectly blends adventure, romance, humour, villainy, amazing locations, and even throws in a supernatural lightning storm that kills Nazis. I mean, come on.

And on that last bit, something else this film does really well is incorporate that supernatural storyline into what is other than that a standard adventure thriller, and this is not an easy thing to do. Where to draw the line is a hard thing to know, and this came up a bit when the ‘alien thing’ happened in Indiana Jones and the Kingdom of the Crystal Skull. In the 2008 revisit to Indy’s world, the film wraps up with the now notorious ‘alien thing’ which many people felt wasn’t coherent with the universe of Indiana Jones which had spent three previous (excellent) films and 27 years drawing the line at religious mysticism and the supernatural.

But Raiders was a deserved hit and box office smash, winning Spielberg the Saturn Award for Best Director, and scooping several Academy Awards as well. Not only that but it was followed up by two more great films – Indiana Jones and the Temple of Doom (1984) and the outstanding Indana Jones and the Last Crusade (1989). I’ll go into these in more detail, and Crystal Skull, later.

I’m not rating this film – I’ll leave that for my reviews of the Bond films – but let’s just say it’s a masterpiece of adventure thriller pacing and makes great use of some amazing locations as well. The only question I have is why no one can make films like this anymore...

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James Bond Revisited #1 Dr No

It’s no surprise that I’m a lifelong fan of James Bond, both the original novels by Ian Fleming, and the film productions which have entertained countless millions of people since way back in 1962. Like any long-running series, the James Bond films divide the fans, and so I’ll say up-front that all these reviews are are just my personal opinions of the films and I know many will disagree with what I’m sure will be seen as some controversial decisions! I’ll add as a chaser to that shot that for me the reasons the films have had such successful longevity is because of the way they have so deftly weaved humour into the action-thriller element.

I’ll also add that these reviews are of the films not the novels, and there are many important differences. While some of these may come up, I want to focus on the movies. I’ll give them a rating out of 10 and at the end sort that into a definitive rank! Finally, these reviews are not about trivia and won’t contain spoilers (well, maybe a couple...). They’re just my impressions of the movies and how they influenced me as a writer, so this is a list of my personal favourite Bond films, and why.

So without further ado, we’re going to start in the logical place, which is the first James Bond movie ever made – Dr. No (1962).

Even looking back over the incredible 54 years since Dr. No first hit the screens in 1962, the film still doesn’t disappoint and has aged extremely well. Often with franchises as massive as Bond it’s almost blasphemous to criticise the series-starter (same goes for bands and their first albums) but we don’t have to go there with Dr. No because the film delivers (nearly) everything you want from the genre.

The original novel was Fleming’s sixth in the series, and producers originally wanted to make Thunderball as the first movie, but a legal dispute had tied things up so Dr. No was chosen instead. Considering some of the iconic moments in the film, perhaps this was fate intervening.

The plot starts with the traditional ‘call to adventure’, in this case Bond being briefed by M to investigate the disappearance of an MI6 asset in Jamaica. After a series of twists and turns Bond hooks up with the CIA’s Felix Leiter and later on the now legendary Honey Ryder and they find their way to Crab Key, an island owned by Dr. No, and there the final act unfolds. (Hmm – secret island bases... what a good idea - someone should tell Joe Hawke ;)

No one had played Bond before, so Sean Connery had the advantage of being able to shape him the way he wanted and be compared only to the original literary character. Such was Connery’s commanding performance of the role that subsequent Bonds are measured up against him, and rarely the original character created by Fleming.

Being the first outing, the gadgets made so notorious in later films are missing here, and instead our hero must save the world with nothing more a Walther PPK and his wits. Later films would give Bond flame-throwing aerosol cans, wheelchair missiles and even x-ray vision (in fact the gadgets started to get ridiculous – but that’s a later review), but when Connery is attacked by a tarantula in Dr. No he must improvise and bash it to death with the heel of a quality slip-on loafer. Presumably SIS issue, of course.

Joseph Wiseman also leads the way for countless international villains in his icy depiction of Julius No, pulling off the Nehru jacket and metal hand with grim poise. Also, the stunning cinematography which brings Jamaica to life on the screen deserves a mention, as does Terence Young’s measured but classy direction.

Many argue that Dr No is more a mystery, or whodunnit than a straight-forward action-adventure thriller and looking back they make a good point. But it was 1962, and they were establishing a character and a franchise. An endless series of explosive set-pieces wouldn’t have allowed for this important groundwork. Also we have to remember the more conservative time – the Vatican condemned the film when it was released – anything raunchier or more violent might have ended up on the cutting room floor. Another consideration is the high cost of producing action movies, but luckily writers can make set-pieces as explosive as they like without destroying expensive sets, as my readers will know...

For me what’s so important about Dr. No is that it lays out a solid path for the escapist action-adventure thriller genre but importantly includes humour as a part of the package. I want to talk more about the role of humour in this genre (and the increasing lack of it) but that’s me wrapping up for now.

My rating: 9/10

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Getting Serious About Writing - or not...

This week saw the release of the first Joe Hawke action-adventure thriller, The Vault of Poseidon, and this was a very exciting time, even though I am now almost finished with the second Joe Hawke novel and beginning to iron out the plot of the third one.

Between all this writing and managing the "post-production" process, it's fair to say there isn't a lot of time left over for much else. In fact it's worth saying that anyone starting out on a similar journey shouldn't underestimate just how much time will be needed to manage your writing after you've typed "The End".

The reason I came to the blog today was because as I launched Poseidon and watched her sail out of the dock and into the digital ocean, I wondered if I should have put some kind of disclaimer in the front of it, just a short note telling people not to take the story too seriously.

My writing is not confined to the inimitable Joe Hawke (or as inimitable as a hero in an action-adventure genre can get anyway...) and I have several other characters and stories that I would like to write about. Some of these (horror of horrors) are more "serious" than others, but the Joe Hawke books are just my attempt at producing pure escapist fun. They are my way of saying "it's actually okay not to be really serious all the time" and you can just relax into some old-school Bond escapism here if you want to do that.

So in the end I decided I had made the right decision not to explain all that somewhere in the story, and instead I'll throw it into the blog and now get back to finishing Hawke 2.

The Vault of Poseidon and Other Matters...

With the release of The Vault of Poseidon looming on the horizon, I have been asked some questions on Twitter about the novel, so I'll answer those here and say something general about the books I write and explain why I write them.

I wrote my first fictional story when I was eight or nine, and I've enjoyed writing ever since. I have written all kinds of stories, from whodunnits to historical to fantasy to scifi, but my favourite kind is the thriller. For me, writing is an opportunity to get away from the real world, and I hope that as a reader you are able to join me in what is nothing more than honest, pure escapist fun... or so I hope.

I write a lot, but like so many other creative pursuits, writing a novel takes a lot of time. First there's the idea, then the plan, then the research, then the plotting, then the first draft, then the second, third... however many other drafts, and then there's the editing, proof-reading, finding a simple mistake that changes the entire story... so many pixels, so little time.

So if you want some honest, fun escapism then I hope you'll join me as we get away from our lives together and go into these stories which I write to entertain myself, and hopefully you, too.

As of right now, I am aiming for a release date in May 2015 for The Vault of Poseidon, and it should be available for Pre-Order from Amazon in April. I will release more details about the novel in the next few weeks, but in the meantime, it's back to the grindstone for me...